The video editor aligns the content on a timeline, then hands the project off to the color correction expert and the audio expert, who perform their respective tasks. Most people cannot hear 20Khz becouse they have too much wax in the ears for playing loud music all day long, or not having good loudspeakers or good amplifiers or good room acoustics.as informative as the second half of this post is,what was the patronising shouting and mis-reading of my original post all about? I'm asking for some formal knolwedge about why different encoders sound different NOT suggesting there isn't a difference? Not needed mate.While Adobe Audition and Premiere Pro are non-linear editing platforms, many organizations still follow a linear workflow. The exact LAME encoder settings could best be repeated as "-V 4" or "-preset medium". The resulting file will generally be smaller in size than a similar CBR-encoded file. This preset will output an mp3 file of medium-high quality, encoded in Variable Bitrate Mode to save bits where possible without lowering the quality. The LAME encoder settings could best be repeated as "-b 192 -cbr". The resulting file will generally be larger in size than a similar VBR-encoded file. This preset will output an mp3 file of medium quality, encoded at 192kbps in Constant Bitrate Mode. The exact LAME encoder settings could best be repeated as "-V 2" or "-preset standard". This preset will output an mp3 file of high quality, encoded in Variable Bitrate Mode to save bits where possible without lowering the quality. The exact LAME encoder settings could best be repeated as "-b 320 -cbr" or "-preset insane". This preset will output an mp3 file of the HIGHEST quality, encoded at 320kbps in Constant Bitrate Mode. Most people cannot hear 20Khz becouse they have too much wax in the ears for playing loud music all day long, or not having good loudspeakers or good amplifiers or good room acoustics. The new Fraunhofer algorithm in Adobe Audition sounds verry dynamic, more than the olders Fraunhofers algorithms. APE and FLAC miss TAGs easy integration, also have CPU / clock jitter problems with realtime decoding. WMA creates strange distortions, but much better than OGG, OGG creates way too much distortions. sounds verry good, but not with verry dynamic stuff. MPC preserves the highs but smash/compacts the dynamic range. Most Lame encoders try to preserve the highs, but remove harmonics and lower bits. Most Fraunhofer encoders erase the highs around 20khz at 320kbps, and erase from 12khz with 128kbps, but they all try to preserve the dynamic range & harmonics. mp3 encoder algorithm also has the old algorithm.Īll Fraunhofer encoders are diferent!, all LAME encoders are diferent, etc. YES THERE IS A DIFERENCE, if you cannot hear it = you are in the wrong bussiness.īUY ADOBE AUDITION, has the latest "Current" best sounding. Master - Definition from the Merriam-Webster Online DictionaryĪn artist, performer, or player of consummate skillĪn original from which copies can be made I also come accross different encoding types of mp3s and wonder if there is a website or youtube video or whatever where the difference in sound quality is discussed where I can get some ideas of what to listen out for I am wondering if anyone here would help me? firslty by suggesting a decent Open Source option I can play about with Hi, I am currently setting up a mastering house with online mastering capabilities,
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